Food · Grain Free Recipes

Tofu Soup Recipe

This beautiful tofu soup is a great comforting pick-me-up and, although we make it with ingredients often found in a Chinese shop you can also substitute in things found in your local supermarket.

Even as a child I loved Asian flavours, especially Chinese ones. When, as a teenager, I first started cooking many of the ingredients I needed to make the dishes I love weren’t available in supermarkets or the local shop. Thus I set out to discover everything I could about our closest tiny Chinese shop- which was quite an adventure because no labels were written in English! At the time I was also struggling with my dietary issues and delighted in finding things like seaweed crisps and konjac noodles (noodles made from a vegetable grown in south east Asia). Suddenly there were so many snack foods that I could safely cart around- a big problem as anyone on a low carb diet knows!

And then I met my wife, who is half-Chinese Malay, and was introduced to many more authentic flavours… and correct cooking methods… because my previous attempts to follow badly-translated Chinese instructions on the back of packets weren’t always wonderful. We’ll just say that my parents started refusing to try my experiments and leave it at that.

This soup uses some of my favourite things from our local Chinese shop and it’s a fab way of using up vegetables that need eating! Although from the picture below it seems as if there are many ingredients please be assured that it’s a very easy recipe. Check the notes section at the bottom of the page for tips on how to change the recipe to make it supermarket friendly but keep the Chinese flavours.

(I included mooli in the video above because it was massive and I couldn’t resist but it’s not normally a part of the recipe)

 

Ingredients

 

1 tbsp sesame oil
350g chopped carrots
400g pak choi
200g oyster mushrooms
2 ltrs water
1 tbsp rice vinegar
1 tbsp fish sauce
60 ml gluten free soy sauce (also called tamari)
1 tbsp grated fresh ginger
handful dried black fungus mushrooms
1 bunch spring onions (green part only)
rice noodles for 6 people
1 packet pre-baked tofu

optional extras:
2 century eggs
1 tsp chilli oil
1 sheet fried/baked seaweed
lime

  • Heat oil over medium high heat in a large pot. Add the diced carrots and pak choi stems (setting the leave to the side for later). Brown for 7 minutes, stirring occasionally.
  • Add the water, soy sauce, vinegar, fish sauce and ginger then salt and pepper to taste.
  • Stir in dried black fungus. Bring to a boil. Reduce heat and simmer for 15 mins.
  • Stir in chopped pak choi leaves, spring onions and oyster mushrooms. Simmer until the leaves are wilted- 6 or 7 minutes.
  • Make the noodles to the directions on the packet (or if they’re fresh just pop them into the soup!)
  • Add the baked tofu and allow to simmer until it’s heated through.
  • Serve into bowls over the noodles.
  • Top with century eggs, chilli oil and torn sheet of seaweed. Also add a slice of lime if you feel like it!
Notes

Don’t be frightened if you’ve never seen some of these ingredients before and aren’t sure where to get them. Although there are many Chinese online supermarkets (Wai Yee Hong and Oriental Mart are both UK based and deliver across the country) that might not be your preferred option so here are some substitutions:

Vegetables: As mentioned above, although mooli appears in the video it isn’t normally part of this recipe so don’t worry about finding that! Pak choi and carrots are supermarket staples but if you find any other leafy asian vegetables in the local shop this soup is a great way to try them!

Mushrooms: Black fungus is not for everyone, that I very much understand! It’s look is a little off putting and the texture is… slightly like a jellied shoe leather… but it tastes amazing! I may have put you off even further with that texture description but I actually quite enjoy it so please do try it. And if you really can’t stand it then just use the oyster mushrooms or any other ‘exotic’ mushrooms you happen upon in your local supermarket.

Sauces: Sesame oil and soy sauce- even gluten free versions- can be found in supermarkets but rice vinegar and fish sauce might be a little harder for you to get your hands on, depending on where you shop. For the vinegar you can substitute lime juice or even a little white vinegar (but use a little less than written above). If I can’t get my hands on fish sauce I use a seaweed sprinkle that you can learn more about in my coleslaw video. It would also take well to other seaweed sheets that could be torn up and added to the pot.

Tofu: Annoyingly whilst many supermarkets sell tofu nowadays they don’t tend to carry the fried or baked version that you’ll need for this recipe. You can make your own with firm or extra-firm tofu by marinading in soy sauce and baking for around 30mins at 200 degrees C. Another option would be using fried Quorn pieces or if you’re not vegetarian you could always throw some smoked mackerel in towards the end or prawns if you want to keep things light.

Eggs: You could make your own century eggs but it involves caustic soda, clay and at least a month so… don’t. Don’t do that. Just boil some regular chicken eggs (or duck if you’re feeling fancy) to a medium hardness.

This recipe is vegan if you don’t add the fish sauce and the century eggs!

Classical Film Reviews · Film Reviews

Classical Film Review: Citizen Kane [1941]

Citizen Kane was voted the best ever American Film in a BBC poll and it is a miracle of cinema. In 1941 a group of stage and radio actors, a first-time director, an inventive cinematographer and a hard-drinking writer were given the keys to a studio and total control… And they somehow made a masterpiece.

For Citizen Kane is not just a ‘great’ film it is all the lessons of the emerging era of sound.

Orson Welles, 26-year-old boy wonder of radio and stage, was given freedom by RKO Radio Pictures to make any picture he wished and this was the result. Originally titled “The American”, its inspiration was the life of William Randolph Hearst, a man who had constructed an empire of newspapers, radio stations, magazines and news services, and then built for himself the flamboyant monument of San Simeon, a castle furnished by pillaging the remains of nations.

The film opens with newsreel obituary footage that briefs us on the life and times of Charles Foster Kane; a reclusive millionaire newspaper tycoon whose last word, ‘rosebud’, no one understands. The newsreel footage provides a map of Kane’s rise to fame and subsequent downward spiral, and keeps us oriented as the screenplay skips around in time, piecing together the memories of those who knew him.

Curious about Kane’s dying word, the newsreel editor assigns a reporter, Thompson, to find out what it meant. Played by William Alland, Thompson is a thankless performance for whilst he triggers every flashback, his face is never seen. He questions Kane’s alcoholic mistress, his ailing old friend, his rich associate and the other witnesses as the timeline loops. By flashing back through the eyes of many witnesses, the film creates an emotional chronology, independent of time.

Along with the personal story of a man is the history of a period. Citizen Kane covers the rise of the penny press (here Joseph Pulitzer is the model), the Hearst-supported Spanish-American War, the birth of radio, the power of political machines, the rise of fascism and the growth of celebrity journalism. The Oscar-winning screenplay is densely constructed and covers an astonishing amount of ground from a record of a marriage (early bliss to a montage of increasingly chilly breakfasts) to Kane inventing the popular press.

From his great rise, to his disastrous adultery and his decline into seclusion.

“I don’t think any word can explain a man’s life,” says one of the searchers through the warehouse of treasures left behind by Charles Foster Kane. But then we have the famous series of shots leading to the closeup of the word “Rosebud” in curling paint on a sled that has been tossed into a furnace. This was Kane’s childhood sled, taken from him as he was torn from his family and sent east to boarding school.

Rosebud is the emblem of the security, hope and innocence of childhood, which Kane spent his life seeking to regain. It is the adult yearning for childhood that we learn to suppress. “Maybe Rosebud was something he couldn’t get, or something he lost,” says Thompson, the reporter, “Anyway, it wouldn’t have explained anything.” And it’s true- it wouldn’t have explained anything but that’s the point: it’s a demonstration that nothing can be explained, even in film.

“Citizen Kane” knows the sled is not the answer: it explains what Rosebud is, but not what Rosebud means.

The construction of the film shows how, after we are gone, our lives survive only in the memories of others, and those memories don’t necessarily agree with how we presented ourselves or believed ourselves to be seen. One Kane was kind, one was mean, one chose his mistress over his marriage and political career. There was a Kane who entertained millions and he was the same Kane who died alone.

The film is full of dazzling visual moments: candidate Kane addressing a political rally; the doorway of his mistress dissolving into a front-page photo in a rival newspaper; the towers of Xanadu; the camera swooping down through a skylight toward the pathetic Susan in a nightclub; the boy playing in the snow in the background as his parents determine his future.

Orson Welles brought a subtle knowledge of sound and dialogue to the film but brought in experimental cinematographer Gregg Toland to aid his creation of the film’s visual wonders. Welles himself plays Kane from age 25 until his deathbed, using makeup and body language to tell the story of a man increasingly captive inside his needs.

“All he really wanted out of life was love,” A friend sighs. “That’s Charlie’s story–how he lost it.”
Fashion · Honest Beauty · Jessica Loves · Uncategorized

Easy 1940s Vintage Make Up

This tutorial is for a very easy everyday vintage make up look and uses just drugstore products!

The first thing I do is moisturise my face and put Vaseline on my lips. I tend to put both of these on quite thickly and go do something else to give it time to sink in before wiping off and starting my make up. Ta dah! Hello vaguely shiny face.

 

Step number one has to be primer: I have very sensitive, eczema prone skin so primer is vital to avoid allergic reactions. It also creates a great, smooth, pore-less base. My primer of choice is Maybelline’s Baby Skin, I’ve used it for yonks and it’s excellent. Don’t forget your neck!

 

For skin coverage we use two products: a liquid foundation that’s slightly lighter than your natural tone (for me that’s Max Factor Lasting Performance Foundation in Fair) and a powder foundation that more closely matches you (The Max Factor Facefinity Compact in Porcelain). Pale, glowing skin is vital for a vintage look but please don’t think having skin that isn’t naturally white as a sheet excludes you! Using a lighter colour with maximum coverage underneath will help you glow but powder over the top ensures you stay matte- vital for a vintage aesthetic! Definitely no sparkly highlighter here.

… but there is a cute pomapoo puppy! Hi, Tilly.

 

Depending on how full I want my coverage to be I use either a foundation brush or a damp sponge. The sponge is best for day looks so that’s what we’re using today.

I squeeze the liquid foundation onto the back of your hand then dab away with the sponge and… it’s time to make myself look like a ghost! It will look very pale to start with but we do add a little colour so don’t worry.

I cover my lips (or at least the edges) since vintage lips require a very crisp outline. Make sure to also go outside of the edges of your face and down your neck as we don’t want a foundation line.

 

Moving on to this beautiful foundation compact. Its colour, despite being the lightest in the range, can be a little too dark for me in winter, since without sun I am a ridiculously pale human being. Dab your powder on so you don’t create drag lines on your face. I also put a little light powder on my chest so the skin colours blend nicely.

If you’re looking for an excellent but cheap foundation sponge that handily stops your fingers getting covered in make up then I highly recommend this handled sponge as it was only a pound from the pound shop!

 

For a vintage look work your blusher along the cheek bone, first from the outside. Smile to pronounce the apples of your cheeks and give a light swoop underneath. Do remember to keep your blusher only on the parts of your face that actually blush however!

This eyebrow is a soft and natural 1940s look but still very groomed. Many powders are (I think) a little too difficult to use and tend to travel rather terribly across my face by the end of the day… actually more likely across my wife’s face every time I get close to her! Pencils on the other hand can be too harsh, sharp and obviously unnatural. Fine if that’s the look you’re going for but this is a soft look.

The Maybelline BrowSatin pencil in Red Mahogany gives me a very natural look and does an incredible of turning my black eyebrows amber (as a child I had bright blonde hair and the same black brows… it was slightly odd). One end is a precise pen and the other a filling powder. It’s excellent stuff.

 

Start with the thin pen end, draw a slightly rounded line at the bottom of the brow then work upwards off it, using quick little strokes to emulate hairs. You can stop here if you’re after a very vintage thin eyebrow look or you can use the other end of the pen which is a tiny sponge with finishing powder which is great for darkening and thickening your brows.

 

Primer is very important not only if you have monolids as I do but also just to create a great base for your eyeshadow: (A) it won’t move and (B) the colours will really pop! I use the L’Oreal Colour Riche Eye Primer which is fab and easy to apply.

For eyeshadow I use four shades from this Sleek V2 Ultra Mattes Palette, which you may recognise from my January Favourites video.

The colours I use are Flesh combined with Pillow Talk for the light shade over my lids, Paperbag for the crease and then Maple as a transition shade.

 

My skin is too pale for the flesh tone by itself so I mix it with the bright white. Fortunately these colours are so pigmented they left you mix on top of each other. Ease of use is always the most important thing with beauty I find!

 

Once you have thoroughly coated your eyelids in the light, flesh tone take an angled brush and draw a line ever so slightly above your eyelid crease using the transition shade. If you too have a monolid then start with your eyes open and draw the line ever so slightly above. The great problem with monolid eyes is that you can spend hours and hours doing a gorgeous eyeshadow job but the second you open your eyes, boom, it’s gone. Blend out the transition shade then add a little more to the crease before moving on to our darker shade. Add mainly to the outside corners of your eyes and a little to crease then again… blend, blend, blend! Because that’s all eyeshadow is. Blending.

 

The No 7 Stay Precise Liquid Liner has been my favourite for many years, it has a gorgeous little brush applicator inside a long paint pot of liquid, it’s easy to use and has great coverage. But… like all good things, it had to some to an end! Why, Boots, Why?!

I had a little stockpile going but now I’ve used that up, so I’m searching for a new favourite. I’m currently using the No 7 replacement: Stay Perfect Liquid Liner. It has a foam tip rather than a brush, which is meant to create a precise look but instead I’ve found the tip point just wipes away product as you put it on. Which seems pointless.

Point…less.

I know; ‘bad joke’.

The best replacement I’ve found is the Max Factor Colour X-Pert Waterproof Eyeliner. It’s not the same but it will do. Sob. Let me know in the comments if you have any suggestions for me.

Let’s get precise! Normally when you hear ‘vintage’ you think ‘big eyeliner flicks’ but the 1940s look is a lot more natural.

Now, for those of you wondering, yes I do only wear one brand of lipstick! Maybelline SuperStay 24 Hour Lip Colour. It sticks on your lips no matter what! It will even stay when you make out with someone else who is wearing a different colour of the Maybelline SuperStay 24 Hour Lip Colour. Tried and tested.

 

For very vintage looks I go for number 542, Cherry Pie.

And look, it’s cute with my eyeshadow! I do use lipliner but only for evening looks so not today. Personally I think the applicator is precise enough. I naturally have very pointed tips to my upper lip but for a good 40s or 50s look a rounded shape suits better.

Once your lips are dry to the touch pop on your setting gloss. In a very… careful… way.

 

Most people think the lips are the most important thing with a vintage look but I think your lashes are equally important.

… Although mine are slightly crazy and go in different directions so false lashes are my friends.

I can’t recommend any lashes for this look because I chop up all lashes I buy to make the shape I feel best suits my face. I CAN recommend the brand these lashes come from though: Eye Candy make beautiful, soft lashes that take very well to being chopped up!

But Eylure make the best glue!

Done! Watch the video below for further instructions, and let me know if you try it on the comments!

 

Primer: Maybelline New York Baby Skin – https://goo.gl/qjD8uz
Foundation: Max Factor Lasting Performance Foundation (Fair) – https://goo.gl/W26Aqg
Powder: Max Factor Facefinity Compact (Porcelain) – https://goo.gl/6gajI1
Blusher: No. 7 Powder Blusher (Apricot Blossom) – https://goo.gl/0iqSNr
Eyebrows: Maybelline BrowSatin pencil (Red Mahogany) – https://goo.gl/fEtFcQ
Eyeshadow Primer: L’Oreal Colour Riche Eye Primer – https://goo.gl/MsXS5n
Eyeshadow Palette: Sleek V2 Ultra Mattes Palette -https://goo.gl/W19nde
Eyeliner: Max Factor Colour X-Pert Waterproof Eyeliner – https://goo.gl/sfAK0C
Lipstick: Maybelline SuperStay 24 Hour Lip Colour (542 Cherry Pie) – https://goo.gl/TWVj2h
Eyelashes: EyeCandy (shaped by me…) – https://goo.gl/EDhzzT
Eyelash Glue: Eylure – https://goo.gl/ErFyf5